166XL COMPRESSOR/LIMITER/GATE

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients-or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressors/gates typically produce undesirable processing artifacts.

When using the 166XL's Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow "leveling" to agressive "peak" limiting. The 166XL's advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics-even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V2 VCA to design in an extra-wide threshold range and ensure top gating performance for each application.

Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 166XL's intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image-even with high amounts of compression, though True RMS Power Summing. Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function. Advanced applications are now easy, with hard knee or OverEasy compression algorithms. Add to this already impressive list of features the venerable PeakStop limiter, and you've got a strong finisher, every time.

The dbx 166XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 166XL puts a completely new level of compressor/gate performance within everyone's reach

FEATURES:

* Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes. * New gate timing algorighms ensure the smoothest release characteristics * Great sounding dynamics control for any type of program material * Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup * Stereo or dual-mode operation * Balanced inputs and outputs on 1/4" TRS and XLR * Side Chain insert * Classic dbx "Auto" mode

DIMENSIONS:1.75"X19"X6.75" WEIGHT:5.05 LBS SHIPPING WEIGHT:7.20 LBS

231 DUAL CHANNEL 31-BAND GRAPHIC EQ

With a lineage extending back to the revered 12 and 20 Series graphic equalizers, the dbx 231 easily lives up to the dbx reputation at a price point which can find a home in the tightest of budgets. Besides including two 31-bnad channels of 1/3-octave equalization, the 231 also offers +/-6 or +/-12 dB boost/cut range; XLR, 20mm faders and 1/4" inputs; nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.

The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range and internal toroidal transformer, the 2-Series offers out of this world specifications with a down to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in the lineage of great dbx signal processors that are the Professional's Choice. With such affordable quality, there's no longer any excuse for compromising your sound.

FEATURES:

* Two 31-band, 1/3-octave Constant Q frequency bands * Switchable boost/cut ranges of +/-6 or +/- 12 dB * 12dB peroctave 40Hz low-cut filter * Front panel bypass switch * +/-12 input gain range * 4-segment LED ladders for monitoring output levels * XLR and TRS Inputs and Outputs * Interal Toroidal Transformer * Frequency Response of <10Hz to >5kHx * Dynamic range of greater than 108dB

DIMENISONS:5.25"X19"X7.9" WEIGHT:10.6LBS SHIPPING WEIGHT:11.6LBS

223XL STEREO 2-WAY/MONO 3-WAY CROSSOVER

Let's take a look at the construction features of the dbx 223XL. As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, it's not going to tear the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect?

Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - infinity to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase revese switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches.

You'll get great performance, all the features you'd expect from a professional product and the knowledge that you're buying a processor from the people that have been producing the worlds finest processors for over 25 years. The technology that made us famous brings you a dbx crossover that has been tested to the highest professional standards at a price that's just too low to admit!

FEATURES:

* XLR balanced ins and outs * Mode switch for stereo 2-way or mono 3-way operation * Low frequency summed (subwoofer) output * x10 range switch on both channels * 40Hz high pass (low cut) filter both channels * Phase reverse switch on all outputs * Individual level controls on all outputs * 24dB per octave Linkwitz-Riley filters (the professional standard) * Stereo/Mono status LEDs indicate the selected mode * dbx 2 year parts and labor as standard * CSA NRTL/C approved * CE compliant

DIMENSIONS:1.75"x19"x6.9" WEIGHT:3.7 LBS SHIPPING WEIGHT:5.4 LBS

234XL STEREO 2-WAY MONO 3-WAY CROSSOVER

Let's take a look at the construction features of the dbx 234XL. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLR connectors that are screwed directly to the chassis. This connecting of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard, but then again, what did you expect?

Via two switches on the back panel you first select whether you're operating your system in stereo 2-way, 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono summed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates the X10 switch on the back panel is activated (we wouldn't make you check the switch on the back panel is activated (we wouldn't make you check the switch position on the back panel every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input hain control for proper level setting. There's recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - infinity to +6dB, to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that'll help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches.

You'll get great performance, all the features you'd expect from a professional product, and the knowledge that you're buying a processor from the people that have been producing the world's finest processors for over 20 years. The technology that made us famous brings you a dbx crossover which has been tested to the highest professional standards at a price that's just too low to admit!

FEATURES:

* XLR differentially balanced ins and outs * Mode switches for mono 4-way or stereo 2-way/3-way operation * Low frequency summed (subwoofer) output * x10 range switch on both channels * 40Hz high pass (low cut) filter both channels * Phase reverse switch on all outputs * 24dB per octave Linkwitz-Riley filters (the professional standard) * Stereo/Mono status LEDs indicate the selected mode * dbx 2 year parts and labor as standard * SCA NRTL/C approved * CE compliant

DIMENSIONS:1.75"X19"X6.9" WEIGHT:4.00LBS SHIPPING WEIGHT:5.8LBS

1231 DUAL 31-BAND GRAPHIC EQUALIZER

The DBX 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/-12dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mmm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, BARRIER STRIP, AND 1/4" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref+4dBu), less than 0.005% THD + Noise (1kHz at 4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.

FEATURES: * Switchable boost/cut ranges of +/- 6 or +/- 15dB * Electronically balanced/unbalanced inputs * Servo balanced/unbalanced outputs * RF filtered inputs and outputs * XLR, Barrier Strip, and 1/4" TRS connectors * -12dB/+12dB input gain range * 18dB/octave 40Hz Bessel lowcut filter * Chassis/signal ground lift capability * Internal power supply transformer * Power-off hardwire relay bypass with 2-second power-up delay

DIMENSION:5.25"X19"X7.9" WEIGHT:10.6 LBS SHIPPING:11.6 LBS

PA COMPLETE EQUALIZATION AND LOUDSPEAKER CONTROL SYSTEM

The DriveRack PA continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack PA was designed with the purpose and vision of providing state-of the art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.

FEATURES:

* Stereo Feedback Elimination with 12 feedback notch filters * Dual 28-band Graphic EQ * Classic dbx Compressor * 120A Sub-harmonic Synthesizer * 2x3, 2x4, 2x5, 2x6 Crossover Configurations * Stereo Output Limiters * Stereo Multi-band Parametric EQ * Alignment Delay * Pink Noise Generator * Auto-EQ with 28-band RTA * JBL Speaker and Crown Power Amp Tunings with Setup Wizard * 25 User Programs/25 Factory Programs * 2 Channel XLR Input and 6 Channel XLR Output * Front panel RTA-M XLR input with phantom power * 24-Bit ADC/24-Bit, DAC, >110 dB Dynamic Range * Full Graphic LCD Display

DIMENSIONS:1.75"X5.75"X19" WEIGHT:5LBS SHIPPING WEIGHT:7LBS

266XL COMPRESSOR/GATE

SPECIFICATIONS:

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients-or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide vesatility and excellent somic performance in situations where other compressor/gates typically produce undrsirable processing artifacts.

When using the 266XL'S AutoDynamic Atteck and Release controls, artist and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow "leveling" to aggressive "peak" limiting.

The Auto Dynamic circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren't restricted to using the Atteck and Release controls only in "peak" operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple "single-purpose: limiters while sound reinforcement users can standardize on the 266XL for all of their applications.

The 266XL's advanced gate circutry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics-even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx VCA to design in an extra-wide threshold range and ensure top gating performance for each application.

Seperate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 266XL's intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In stereo couple modem the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image-even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter.

The dbx 266XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XL puts a completely new level of compressor/gate performance within everyone's reach.

FEATURES:

* Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes * New gate timing algorithsm ensure the smoothest release characteristics * Program-adaptive expander/gates * Great sounding dynamics control for any type of program material * Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup * Stereo or dual-mode operation * Balanced inputs and outputs on 1/4" TRS and XLR * Side Chain insert * Classic dbx "Auto" mode

DIMENSIONS: 1.75"X5.7"X19" WEIGHT:57 LBS SHIPPING WEIGHT: 7LBS

RTA MIC FOR THE DRIVERACK

Real-Time Analyzer microphone for the DriveRack PA. Flat frequency response, super-accurate omnidiretional mic.

WEIGHT:4LBS