ULTRA LOW-NOISE DESIGN 24-INPUT 4-BUS STUDIO/LIVE MIXER WITH PREMIUM MIC PREAMPLIFIERS AND DUAL DIGITAL 24-BIT MULTI-FX PROCESSOR

* The revolutionary new SL Series mixing consoles for the first time unite studio perfection with live performance in one single mixer. They are loaded with top-notch, no-compromise technology like studio-grade acoustically "Invisible" IMP Mic Preamps, ULN (Ultra Low-Noise) circuitry, dual 24-bit FX processors of VIRTUALIZER fame and the amazing new FBQ Feedback Detection System.

* For the studio there are two high-end 24-bit FX processors, incredible connectivity, an integrated talkback section plus comprehensive solo-in-place and pre-fader-listen functions. For live performances, they feature an ultra-musical 9-band stereo graphic EQ with the amazing FBQ Feedback Detection System and even a mono subwoofer output with a sweepable low pass filter. Another nice touch for live gigs: all mic channels can be muted during breaks by pressing a single button, so music can be played via CD/tape inputs without the mics picking up any sounds.

* The SL2442FX-PRO is the new compact SL Series mixing consoles with 24 channels (16 mono plus 4 stereo). It features 4 subgroups and 2 pre/post switchable and 2 post fader aux sends per channel, 3-band EQs with semi-parametric mids and low cut filters for the mono channels, full-fledged high-headroom stereo input channels with 4-band equalization plus additional stereo input channels with level and pre-fader aux facilities.

* ONE FOR THE ROAD SL consoles are built with a super-sturdy metal cabinet that will withstand even the most punishing tour conditions. They use our built-in, oversized state-of-the-art autorange power supply that automatically adapts to mains voltages (from 100 to 240 Volts) wherever you go and is immune to fluctuating mains voltages and spikes that you'll find at most line venues. Plus, due to its high efficiency, it consumes much less energy than a conventional power supply so it runs a lot cooler.

* Dimensions: 3 9/10" x 26 9/8" x 16 1/8"

ULTRA LOW-NOISE DESIGN 16-INPUT 2/2-BUS MIC/LINE MIXER WITH PREMIUM IMP MIC PREAMPLIFIERS AND 24-BIT MULTI-FX PROCESSOR

* You get all the important elements right here in a 19" form-factor. This compact console offers 12 balanced high-headroom line inputs, 4 INVISIBLE MIC PREAMPs (IMPs), 2 aux sends per channel (1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). You also get an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. The integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets includes reverb, delay, chorus, compressor, tube distortion and others as well as a 1 kHz test tone generator. There are 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing.

* Dimensions: 3 7/8" x 11 7/8" x 13 7/8"

CFX16:16 CHANNEL LIVE SOUND MIXER W/EMAC DIGITAL EFFECTS

THE FIRST EFFECTS MIXERS THAT DON'T SCREAM 'CHEAP'

FEATURES:

* High-headroom mic preamps with RF rejection * 16 channels (12 mic/line mono, and 2 stereo line channels) * 32-bit EMAC digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander * External and internal EFX sends * EFX to Monitor control * 9-band stereo graphic equalizer * Inserts on all mic channels and main mix * True 4-bus design with direct sub outs and L/R assign * 2 Pre/Post Aux sends and interal/external FX level sends on each channel * 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels * 4-band EQ on stereo line channels * Pan, Mute, PFL solo on each channel * Inserts and 100Hz low-cut filters on all mix/line channels * Subwoofer output from built-in 18dB/oct. 75Hz crossover * Ingenious BREAK switch * Headphone output with level control * Tape/CD inputs with level control assignable to Main Mix via Break switch * Logarithmic taper 60mm faders

WEIGHT: 21.0 LBS

CFX20:20 CHANNEL LIVE SOUND MIXER W/EMAC DIGITAL EFFECTS

THE FIRST EFFECTS MIXERS THAT DON'T SCREAM 'CHEAP'

FEATURES:

* High-headroom mic preamps with RF rejection * 20 channels (16 mic/line mono, and 2 stereo line channels) * 32-bit EMAC digital effects with 9 reverse 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander * External and internal EFX sends * EFX to Monitor control * 9-band stereo graphic equalizer * Inserts on all mic channels and main mix * True 4-bus design with direct sub outs and L/R assign * 2 Pre/Post Aux sends and internal/external FX level sends on each channel * 3-band EQ with swept mid (100Hz to 8kHZ)on mic/line channels * 4-band EQ on stereo line channels * Pan, Mute, PFL solo on each channel * Inserts and 100Hz low-cut filters on all mic/line channels * Subwoofer output from built-in 18dB/oct. 75Hz crossover * Ingenious BREAK switch * Headphone outputs with level control * Tape/CD inputs with level control assignable to Main Mix via Break switch * Logarithmic taper 60mm faders * 48V phantom power * 12V BNC lamp jack

WEIGHT: 24.3 LBS

DFX6: 6 CHANNEL ON-STAGE MIXER W/EMAC DIGITAL EFFECTS

MIXERS FOR HANDS-ON MUSICANS:

We designed the new DFX Series mixers for folks who don't have the luxury of a front-of-house sound technician. Working professionals who have to control their own mix while making music - and have to do their own set up an tear-down.

What does that mean? It means that we've made the DFX-12 and DFX-6 extremely easy to use. For example, if you have a front-of-house sound person to control your effects levels, they can locate a small knob and tweak it.

But if you're on stage, it's a lot easier to grab a big, color-coded fader. Plus you can see the fader positions from halfway across the stage.

That's the philosophy of the DFX Series: make it easy to control a mixer when you're busy on stage. Channel faders are white. Effects and Monitor Sends are red, master levels faders are blue. The Tape/CD level fader is also white but separated from the channel faders. You get "mixing at a glance."

Every channel has both a Level Set and Overload LED so you can tell at a glance on a dark stage if one of your inputs is too hot.

And of course, both digital effects and a graphic equalizer are built in, so you don't have to mess with an extra rack of outboard gear.

FEATURES:

* Above all, superb sound quality * Low noise * Long, logarthmic taper faders * Accurate 32-bit effects * Even the features have features * The Vocal Eliminator-Backing tracks for cheap * The DFX6 is pretty straight-forward * Those little extras that make a Mackie mixer a better value-now in the long run * Easy level setting * Sweet, musical EQ * No wall wart * Built to last

DIMENSIONS: 4.1"X11.8"X14.4"

WEIGHT: 8.0LBS

1202 VLZ PRO: 12 CHANNEL COMPACT ANALOG MIXER W/4XDR PREAMPS

* As the smallest mixer in the VLZ Pro compact mixer line, the Mackie 1202-VLZ Pro packs the same legendary punch as Mackie's other VLZ-Pro compact mixers. The 1202-VLZ Pro is the ideal compact mixer for home and project studios looking for an economical solution for their audio needs. Thanks to its compact size and durability, the 1202-VLZ Pro can be used both in the studio and on the road.

FEATURES:

* Ultra-low noise mixer with the highest headroom in its class * 4 new precision-engineered XDR(TM) Extended Dynamic Range premium studio-grade mic preamps with: *Ultra-wide 0-60db gain range *130db dynamic range, 24-bit digital ready *192kHz Bandwidth *+22dBu line input handling *Distortion under 0.0007% (20Hz-20kHz) * Advance DC pulse transformer RF rejection * 12 line inputs (4 mono, 4 stereo pairs) * Separate RCA-type tape/CD inputs and tape outputs (unbalanced) * 2 aux sends with 15db of extra gain above Unity * Constant-loudness pan pots * 2 stereo aux returns w/EFX to Monitor * Aux 1 master w/ Monitor/Post assign * 3-band active EQ (80Hz, 2.5kHz,12kHz) * 18db/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops and low frequency recording studio room resonances * Extra ALT 3-4 stereo bus for submixes, separate recording, monitor and 'mix minus' feeds * Control Room/Phones multi-input source matrix * Phantom power for premium condenser mics * Rugged steel chassis, sealed rotary controls * Buit-in power supply--no wall wart!

WEIGHT: 6.8 LBS

CFX12-12 CHANNEL LIVE SOUND MIXER W/EMAC DIGITAL EFFETS

THE FIRST EFFECTS MIXERS THAT DON'T SCREAM 'CHEAP'

FEATURES:

* High-headroom mic preamps with RF rejection * 12 channel (8 mic/line mono, and 2 stereo line channels) * 32-bit-EMAC digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander * External and internal EFX sends * EFX to Monitor control * 9-band stereo graphic equalizer * Inserts on all mic channels and main mix * True 4-bus design with direct sub outs and L/R assign * 2 Pre/Post Aux sends and internal/external FX level sends on each channel * 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels * 4-band EQ on stereo line channels * Pan, Mute, PFL solo on each channel * Inserts and 100Hz low-cut filters on all mic/line channels * Subwoofer output from built-in 18dB/oct. 75Hz crossover * Ingenious BREAK switch * Headphone output with level control * Tape/CD inputs with level control assignable to Main Mix via Break switch * Logarithmic taper 60mm faders

WEIGHT: 17.8 LBS

1402 VLZ PRO 14 CHANNEL COMPACT ANALOG MIXER W/6XDR PREAMPS

* The 1402-VLZ Pro is the ideal compact mixer for small home project studio owner looking for an economical solution for their audio needs. Because of its many features and its durability, the 1402-VLZ Pro can be used for extra studio-grade preamps as aux inputs for a larger mixing console.

FEATURES:

* Ultra-low noise, highest headroom in its class * 6 new precision-engineered XDR(tm) Extended Dynamic Range premium studio-grade mic preamps with: * Ultra-wide 0-60dB gain range *130dB dynamic range, 24- bit digital ready * 96Hz Bandwidth * +22dBu line input handling * Distortion under 0.0007% (20Hz-20kHz) * Advanced DC-pulse transformer RF rejection * 60mm long-wearing log-taper faders * 14 line inputs (6 mono, 4 stereo pairs) * Separate RCA-type tape/CD inputs and tape outputs (unbalanced) * 2 aux sends with 15dB of gain above Unity * Aux 1 pre/post * Constant-loudness pan pots * Switchable AFL/PFL Solo * 2 stereo aux returns with EFX to Monitor switch * Aux 1 master with Monitor/Post assign switch * 3-band active EQ (80Hz, 2.5kHz, 12kHz) * 18dB/oct. 75Hz Lo Cut filter eliminated stage rumble, wind noise, P-pops and low frequency recording studio room resonances * Extra ALT 3-4 stereo bus for submixes, separate recording, monitor and "mix minus" feeds * Control Room/Phones multi-input source matrix * Phantom power for premium condenser mics * Rugged steel chassis, sealed rotary controls * Built-in power supply--no wall wart!

WEIGHT:9.5 LBS

DFX12:12-CHANNEL ON-STAGE MIXER W/EMAC DIGITAL EFFECTS

MIXERS FOR HANDS-ON MUSICANS

* We designed the new DFX Series mixers for folks who don't have the luxury of a front-of house sound technician. Working professionals who have to control their own mix while making music-and have to do their own set-up and tear-down

What does that mean? It means that we've made the DFX12 extremely easy to use. For example, if you have a front-of-house sound person to control your effects levels, they can licate a small knob and tweak it.

But if you're on stagem it's a lot easier to grab a big, color-coded fader. Plus you can see the fader positions from halfway across the stage.

That's the philosophy of the DFX Series:make it easy to control a mixer when you're busy on stage. Channel faders are white. Effects and Monitor Sends are red, master levels faders are blue. The Tape/CD level fader is also white but separated from the channel faders. You get "mixing at a glance"

Every channel has both a Level Set and Overload LED so you can tell at a glance on a dark stage if one of your inputs is too hot.

And of course, both digital effects and a graphic equalizer are built in, so you don't have to mess with an extra rack of outboard gear.

FEATURES:

* Above all, superb sound quality * Low noise * Long, logarithmic taper faders * Accurate 32-bit effects * It lets you control the level of stage monitor effects with a dedicated rotary control * The DFX12 has a vocal eliminator circuit that can remove the existing lead singer from most songs. * The DFX12 actually includes three flavors of channel strips. Channels 1 through 4 accept microphones or mono line level sources, just like channels 1 and 2 on the DFX6. Channels 5/6 and 7/8 accept microphones or stereo line level sources. Channels 9/10 and 11/12 accept stereo line level sources. * Easy level setting * Sweet, musical EQ * No wall wart * Built to last

DIMENSIONS:4.1"x16.1"x14.4" WEIGHT:10.00LBS

Product: Yamaha MG24/14FX 24 Channel, 14 Bus Mixer with Built-In FX

The MG24/14FX has 16 mono microphone/line channels and four stereo line channels. Balanced XLR and phone-jack connectors are provided on all mono inputs. Two of the stereo channels feature both pin-jack and phone jack connectors. A separate stereo 2TR input with pin-jack connectors is provided for independent input of signals from CD players or similar sources. All 16 mic preamps offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable +48V phantom power for studio condenser microphones. Phantom power is switchable in 8-channel groups. All mono input channels feature insert I/O patch points so you can insert compressors, EQ, or other extra signal-processing gear into the channel signal path as required. Insert patch points are also provided on the stereo and group buses for effective output processing. Mono channels feature 3-band equalizers with HIGH (10 kHz), LOW (100 Hz), and MID (250 Hz ~ 5 kHz sweep) bands. High-pass filters are also provided on all microphone inputs. Stereo channels have 4-band equalizers with HIGH (10 kHz shelving), HI MID (3 kHz peaking), LOW MID (800 Hz peaking), and LOW (100 Hz shelving) bands.

In addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes - usually in the form of group submixes and aux sends for external signal processing and monitor mixes. In the MG24/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors. You can use the bus select switches and controls on each channel to assign the channel signal to the stereo, group, internal effect, and AUX buses as required. All input channels feature six AUX send controls. AUX sends 1 through 4 are pre/post switchable while AUX 5 and 6 are post-fader sends. Two effect sends are also provided. You have plenty of flexibility for external signal processing and monitoring in live sound-reinforcement applications. Two stereo auxiliary returns are included, as well as return facilities for the internal effect stages. In addition to the main L and R XLR and phone-jack stereo outputs, these versatile mixers also offer L and R phone-jack sub-stereo, pin-jack recording, XLR mono, and stereo phone-jack headphone outputs. You have plenty of outputs for a wide range of applications - monitoring, master recorder feed, etc. Phone-jack group outputs are also provided to allow independent output of the group bus mixes. Professional connectivity is provided by reliable XLR-type balanced stereo and mono outputs. The 80 ~ 120 Hz sweepable LPF for Mono Out is useful for driving a subwoofer system. Output level monitoring is made accurate and easy with four high-visibility 12-segment level meters that can be switched to display the stereo, group, 2TR input, PFL (Pre-Fader Listen), and AFL (After-Fader Listen) signal levels.

In the MG24/14FX you have not one, but two high-performance digital signal processing stages, fed by separate effect buses, so you can enhance your mix with two separate effects at the same time. And the effects are provided by the very latest Yamaha DSP technology. Each stage provides a selection of 16 professional quality SPX digital effects, including reverb, delay, pitch change, chorus, phasing, vocal doubling, distortion, and more. Parameter controls that can be adjusted to tailor the effects to your sonic requirement are also provided and Tap delay makes it easy to produce temposynchronized delays. Reliable, high-performance 60mm faders provide smooth, noise-free level control, while original Yamaha illuminated ON (ST buss assign), PFL (Pre-Fader Listen), and phantom power switches provide easy visual confirmation of critical console settings. Communication capability is important for efficient setup as well as for keeping a show running smoothly. The MG24/14FX features a talkback system that allows the FOH engineer to communicate with the monitor engineer, performers, or other staff to keep the team operating at optimum efficiency. Compact and surprisingly light in weight, these mixers can easily be carried just about anywhere. You get top-quality mixing performance in the rehearsal studio, club, outdoors; wherever you need it.

BEHRINGER SL3242FX-PRO: Ultra Low-Noise Design 32-Input 4-Bus Studio/Live Mixer With Premium Mic Preamplifiers And Dual Digital 24-Bit Multi-Effects Processor

The revolutionary SL Series mixing consoles for the first time unite studio perfection with live performance in one single mixer. They are loaded with top-notch, no-compromise technology like studio-grade acoustically Invisible IMP mic preamps, ULN (ultra low-noise) circuitry, dual 24-bit effects processors of Virtualizer fame and the amazing FBQ feedback detection system.

For the studio there are two high-end 24-bit effects processors, incredible connectivity, an integrated talkback section plus comprehensive solo-in-place and pre-fader-listen functions. For live performances, they feature an ultra-musical 9-band stereo graphic EQ with the amazing FBQ feedback detection system and even a mono subwoofer output with a sweepable low pass filter. Another nice touch for live gigs: all mic channels can be muted during breaks by pressing a single button, so music can be played via CD/tape inputs without the mics picking up any sounds.

SL3242FX-PRO is a full size mixing console with 32 channels (24 mono plus 4 stereo). It features 4 subgroups and 2 pre/post switchable and 2 post fader aux sends per channel, 3-band EQs with semi-parametric mids and low cut filters for the mono channels, full-fledged high-headroom stereo input channels with 4-band equalization plus additional stereo input channels with level and pre-fader aux facilities.

The SL consoles are built with a super-sturdy metal cabinet that will withstand even the most punishing tour conditions. They use built-in oversized state-of-the-art auto-range power supply that automatically adapts to mains voltages (from 100 to 240 Volts) wherever you go and is immune to fluctuating mains voltages and spikes that you ll find at most live venues. Plus, due to its high efficiency, it consumes much less energy than a conventional power supply so it runs a lot cooler.

Features: Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio 24 state-of-the-art, studio-grade IMP Invisible mic preamps with 130dB dynamic range for 24-bit, 192 kHz sampling rate inputs, ultra-wide 60dB gain range and the lowest possible distortion 0.0007% (20 Hz - 20 kHz) 2 independent 24-bit digital stereo effects processors with 99 great-sounding Virtualizer presets including reverb, delay, chorus, compressor, tube distortion and more High precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes Revolutionary, patent-pending FBQ Feedback Detection System instantly reveals critical frequencies 2 fully featured stereo input channels with 4-band EQ plus 2 additional stereo input channels with level and pre-fader aux facilities Effective, extremely musical 3-band EQ plus switchable low cut filter on all mono channels Inserts on each mono channel and main mix for flexible connection of outboard equipment 4 subgroups and additional mono output with sweepable low pass filter for subwoofer application 4 aux sends per channel: 2 switchable pre/post fader, 2 post fader (for internal FX and/or as external send) Clip indication and gain level set LEDs plus mute switches for each channel allow fast and accurate level setting Balanced main mix outputs with gold-plated XLR and TRS connectors, headphone/control room output and stereo tape outputs Solo-In-Place and Pre-Fader-Listen functions plus full-featured talkback section Standby switch mutes all channels during breaks while background music is provided via CD/tape inputs State-of-the-art 4580 operational amplifiers provide lowest noise and distortion better than 4560 op amps Long-wearing logarithmic-taper ALPS faders and sealed rotary controls Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption Extremely rugged construction ensures long life even under most demanding conditions Designed in Germany. Manufactured under ISO9000 certified management system Size: 3-9/10h x 35-1/4w x 16-1/8d. Wt. 25 lbs.

Essentially an expanded version of the UB1204-PRO. It has all the same features as found in the UB1204-PRO, plus an integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets. There are also solo and PFL functions on all channels as well as a pre/post fader switchable aux send for monitoring/FX applications